• July 9, 2023

Macroprosopus, Reflections and the Isisian Codes

“Both above and below.”

The Macroprosopus Symbol provides us with intuitive guidance on how what is above is also what is below. It can also be used as an intuitive guide in the creation of the Garden of Eden, the hidden womb that is guarded by the Flaming Sword and Cherub, or the rabbinic “tree of life.” Ultimately, reflections or mirrors are at the very heart of the Illuminatus system.

This article will provide some thoughts on the “reflections” and mirrors used by the Illuminatus and within the Isisian Codes.

mirrors and reflections

We have already discussed the nature of IXXI, or “9-11”, and how it is used as a fundamental code for what is considered to be “The Garden of Eden”. 9-11, or IXXI, provides us with the pattern of formation, but provides little in the way of the archetypal coding of the various cipher wheels (sephira) and the relevant paths. In the Macroprosopus diagram, for example, we can see that the IXXI is encoded in the image and that there is a division of the letters along the horizontal center, thus forming a conceptual “mirror” or “reflection”.

Also, whatever is floating in the sky, such as the half of the Star of David and the full Tau or letter T, is being reflected in the water.

This “mirror,” or reflection component, is necessary if we are to resolve the archetypal foundation of the Philosopher’s Stone, or, more accurately, the “Garden of Eden.” IXXI allows us to form just the right geometric matrix. However, it is not enough to simply ensure the actual geometric matrix; rather, since the geometric matrix serves as a road map of the human psyche in classical Jungian thought, it becomes critical and necessary to correctly place all symbols within the various cipher wheels (sephira), as well as to correctly number the symbols. channels between the various cipher wheels or sephira.

Even after doing all of this, you need to get back to work and do all the double checking “of the math” so to speak. My original array for the Garden of Eden, for example, had a bug that wasn’t fixed for almost 2 years. Therefore, solving the archetypal or hidden framework requires a lot of work and double checking before launch to ensure that the intuited answers are indeed accurate and correct.

This is all due precisely to the inherent nature of the Construct, and the way that immersion in the Construct creates conditions whereby it is easy to be fooled.

Mirrors, or reflections, play critical roles in the formation of reality. For example, when we see the Moon, which is a symbol of the occult, it is stronger than the Sun because its light can still shine during the day when even the Sun reigns supreme. What this implies is that the Moon can reflect light from the Sun and shine even when the Sun is also shining and when the Sun is not. Conceptually, the Moon, as a symbol of the Occult, has a light that is stronger than that of the Sun because the Occult uses the Sun and the reflection of the Sun equally. You are not using one exclusively over the other, rather you are using the direct light of the Sun, but more importantly, the reflected light of the Sun.

For the dark side of the Occult (the left hand path), its reflection is that of the CLOUD. Within the word CLOUD is the anagrammic play of the word HIDDEN. Since T=D, we just encrypt CLOUT and CLOUD and OCULT. In this way, the occult acts as a cover or a seal that blocks the Sun and the Moon, or it can pass smoothly and not affect the light of the Sun or the Moon at all, or it can partially obscure the Sun and the Moon. . However, even stronger is the anagrammic play of the word HIDDEN to form the word CLOUD. The word CLOUD shows a reflection of STRONG, and yet the clouds are silent, so we are reminded that the strength of the “cloud”, or the Hidden, is even stronger, as it can hide the light of the Sun. at its highest point. .

From a conceptual point of view, we simply recognize that our existence here on Earth is subject to many influences and occlusive forces, of which “clouds” act as a beneficial or detrimental force depending on the strength and duration of the influence. . Clouds, or “the occult,” can change the colors of light reflected from the Moon as it reflects light from the Sun, while the Moon changes phase, reflecting increasing or decreasing shadows of light.

It is only the left hand path that seeks to obscure utterly, even as we acknowledge that all things are obscured in some way.

If we imply that being loud is so “overwhelming” that others can hear, then we have a reflection of the power of the Occult in this world and we should pay attention to the force and learn from its reflections, because in the end, it’s just the reflections that we can see, and not the actual functioning as words and deeds were put into place.

Mirrors as a Hidden Staple

The “Macroprosopus” image is designed to hint at the use of reflections and mirrors as part of the primary conceptual basis and that these reflections and their uses must be thoroughly understood if insight into the conceptual is to be gained.

All the “gods” partake of the essence of Osiris, and Osiris, as the Letter A, manifests as himself in a “material form” similar to the mythology of Christianity. Osiris as the letter A provides us with the conceptual tools to begin to de-history the fabrication of “reality”, hidden or otherwise. Pi is “the Word”. This means that there is a division and separation in that the 1s are masculine and the 0s are feminine, that each has its own unique and separate existence, but that the 1 and the 0 are not mutually exclusive of the other, in that the 0, feminine, is created by the 1 of the masculine. This is basic “sexual relations”, or “sexual union”, or “the Letter X”.

X’s = SEX, however the X is a reflection of the feminine over the masculine. This reflection provides the intuitive insight to understand the nature of the Geb and Nut of the Egyptians. Geb and Nut are nothing more than an artistic representation of the Letter X, the sun that comes out of the womb of the Earth or the sky.

However, all of this is tied “technically” or “fundamentally” to Pi.

If you look at the design, and in this we imply the design of the human body, because it is also designed around the idea of ​​Pi, or the “Word”, the visual shape of the vagina shows a correlational “1”. when “closed”, while the shape of the male phallus shows a correlational “0” when viewed from “the tip”. It is through the cardinal conceptual turn of two-dimensional design that we can arrive at the three-dimensional reality of proper perspective in which, in this case, the “1s” as men appear to the mind correctly as “men” and the “0s.” they are appearing conceptually in the mind as appropriately designed as “women”.

In this way, we can begin the process of conceptualizing inherent design and begin to understand what is “true” and what is “false”, what is “mirror” and what is “real”.

Another way of looking at this is to use Occult reference material, which today is unnecessarily and intentionally confusing and “mystical”. For example, the Sepher Yetzirah, or “Book of Formation,” states the following:

“These twenty-two letters, which are the foundation of all things, he arranged as upon a sphere with two hundred and thirty-one gates, and the sphere can turn forward or backward, either for good or for evil; from good comes true pleasure, from evil nothing more than torment”. – In this example, the sphere can be rotated from one side to the other.

Imagine it as a ball sitting on the ground. I write the number 6 and then I rotate the ball 180 degrees. You see my 6 as a 9. Then I write a number 9 on the ball and turn it 180 degrees again. You now have either two 6’s or two 9’s, depending on how you see them AND assuming you knew how to see numbers “this way or that way”. If I say that the number is a 6, and I wrote the number as a “6”, AND you tell me that the number is a “6”, and therefore we both agree that the number is a 6, then what that is discussed is “true”, and therefore “good”.

However, if I write the number 6, and you tell me that the number is a “6”, and I still mislead on purpose and say that the number is a 9, then I have reversed the number and therefore “wrong”, or a “lie”, it proceeds. Since there are no additional context points for you to see reality as it currently exists, you have no way of really knowing if the number is a 6 or a 9.

Now extend this concept to multiples of glyphs (letters etc) and rotate the multiples of glyphs as if you were on a sphere while sitting in the center of the sphere while immersed in a total vacuum! That’s how complex and complicated everything can be.

The Universe is incredibly complex in its simplicity.

Context as a critical component

Therefore, “context” is critical to understanding the accuracy of what is being viewed in relation to a Card, and especially as to how one views and debunks hidden regalia and mythologies. For example, in the above view of Macroprosopus as shown above, there is a “T” reflected in the water, and yet there is an “inverted T” floating in the air, and therefore reflected in the water is the derived letter T. of the inverse T in the air.

This point of view is “true” in an occult sense, but why? Therefore, the principle of “know thyself” means that you must focus on certain truths and determine them for yourself, even when guidance is provided along the way.

In other words, it is not enough to understand that what is “above” is “as below”: it is essential that a person understands inverting the image above and analyzing it as if it were inverted or upside down. Therefore, ideas and images should be rotated “this way” and “that way”, meaning rotate 180 degrees or flip 180 degrees, shift 45 degrees and flip 180 degrees, read forward but interpret backwards, center outward or in various combinations of the above

The way “God” manifests itself cannot be so easily controlled by simplistic formulations, nor can it be assumed that arriving at voluntary and intentional codes is a simple and straightforward process. In the end, we are limited to the tools available to us through the constraints of design (material existence), so a wide range of tools using a wide range of interconnections is completely necessary to effect an understanding of the whole.

When Plutarch says that Typhon tears the holy writings to pieces and scatters them to the winds, this is a very broad and accurate description, so we must see the Construct as a giant puzzle that, like Humpty Dumpty, we try to put together. together again so that we can overcome ignorance and delusion and create for ourselves a world and a society where our spiritual foundation is rooted in a form of reason that is impervious to ignorance.

The main point to remember is that Illuminatus uses and utilizes a wide range of reflections and mirrors in their system, so if you want to penetrate their philosophical system (a system that belongs to all of us), it is critical that the idea of ​​mirrors and reflections is fully understood.

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